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PUTEM INVENTA UN NOU NEGRU? Andreea Grecu in Dialog cu Razvan Ion

THE OFFICE FOR ANTI-PROPAGANDA Marina Naprushkina in dialogue with Eugen Radescu

Jose Antonio Fernandes Dias: Curating the Global

Alex Brahim: HISTERIA-HISTORIA

Ana Dabija – Exposure therapy: the dispersed museum

VALERIE RENAY Q&A (moderat de Razvan Ion)

FRONTIERS AS A GAME FOR SOCIAL CHANGE: Karl Zecheter

INTELECTUALS AND POLITICS, debate between Vasile Ernu, Ciprian Siulea and Costi Rogozanu

Goran Bjornberg: Narrative spaces, Contemporary art and the shaping of Identity.

Chantal Mouffe: Agonistic Politics in the Age of Post-Fordism

Maria Muhle: What is aesthetic realism? From Chris Marker to the Medwedkin Groups

ZEPPELIN NO. 19: SITUATIONIST URBANISM – WILFRIED HACKENBROICH

IOANA NEMES – TRANSLATING TIME: PLUSSES AND MINUSES

MARTIN KRENN: FILMS ON ART AND ACTIVISM

PETER OSBORNE: THE FICTION OF THE CONTEMPORARY: SPECULATIVE COLLECTIVITY AND THE GLOBAL TRANSNATIONAL

Karin Cerveka: AUSTRIA AS AN EXAMPLE OF HOW ARTS BECAME A TOPIC OF PUBLIC INTEREST EXAMINED OVER A PERIOD OF ABOUT 60 YEARS.

100 SWEDISH MINUTES

ANONYMOUS NOMAD: TRYGVE LUKTVASSLIMO AND DITTE LYNGKAER PEDERSEN (DK)

VIOREL VIZUREANU (RO): SKETCH FOR A TYPOLOGY OF SPATIALITY

Urban Larssen (SE): CASA SCANTEII: CONTROLED MEDIA FACTORY

Sina Najafi (USA): THE CABINET OF CURIOSITIES

Sebastian Moldovan (RO) in dialogue with Razvan Ion (RO): A RED TOMATO
ALWAYS NEEDS A WALKING STICK